An ad hoc Hall of Records

❴ dis•co•phil•i•a ❵ The enjoyment, collection, and study of musical recordings, often in the form of phonograph records and/or CDs.

Or, to put it another way: my music collection.

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Cover art: Album is designed to look like a psychiatric patient's folder, with a brush metal finish and fold-over edge. Top left is a small window, though which a medical form is partially visible, showing patient name "Ren Gill", blank DOB and ID fields, and a confidential stamp. Embossed text bottom left reads: "declassified, Ren, sick boy, deluxe".

Cover art: Album is designed to look like a psychiatric patient's folder, with a brush metal finish and fold-over edge. Top left is a small window, though which a medical form is partially visible, showing patient name "Ren Gill", blank DOB and ID fields, and a confidential stamp. Embossed text bottom left reads: "declassified, Ren, sick boy, deluxe".

Sick Boi

Ren

Cover art: A line-drawn, larger than life snapshot of a beachfront street in Brighton, covered in small tableaux relating to the music videos for the album. Dead center, roaring directly forwards and out of the frame, is a black sedan, top down, with Soul Boy driving in his mask and bucket hat, and Ren jumping in, topless, smoke billowing. Behind, a jacked up angry man is bearing down, trailed by a blonde woman wearing only a towel. On either side, are pubs, corner stores, and night clubs, with people dancing, smoking weed, playing guitars, and generally having a good time in the windows, on the street, and near the roof. The number plate of the car is "vol 0n3", and beneath the car, sandwiched between it and the beach, with surf lapping, is large pink text reading "sick sick soul".

Cover art: A line-drawn, larger than life snapshot of a beachfront street in Brighton, covered in small tableaux relating to the music videos for the album. Dead center, roaring directly forwards and out of the frame, is a black sedan, top down, with Soul Boy driving in his mask and bucket hat, and Ren jumping in, topless, smoke billowing. Behind, a jacked up angry man is bearing down, trailed by a blonde woman wearing only a towel. On either side, are pubs, corner stores, and night clubs, with people dancing, smoking weed, playing guitars, and generally having a good time in the windows, on the street, and near the roof. The number plate of the car is "vol 0n3", and beneath the car, sandwiched between it and the beach, with surf lapping, is large pink text reading "sick sick soul".

Sick Sick Soul

Ren & The Skinner Brothers

Cover art: A person is plummeting from a stadium ceiling along with two large swords, their arms splayed, face obscured by a baggy hoodie. Beneath them, they are heading towards a large crowd of people, many with slightly clawed arms raised, whilst orange stadium flood lights illuminate the scene.

Cover art: A person is plummeting from a stadium ceiling along with two large swords, their arms splayed, face obscured by a baggy hoodie. Beneath them, they are heading towards a large crowd of people, many with slightly clawed arms raised, whilst orange stadium flood lights illuminate the scene.

Fall From the Light

Hilltop Hoods

Cover art: A silhouetted figure stands on a barren, alien wasteland. They have two large katana-like blades crossed on their back, and a hoodie on, obscuring all features; they are illuminated by two large flood lights, as well as a star-filled sky.

Cover art: A silhouetted figure stands on a barren, alien wasteland. They have two large katana-like blades crossed on their back, and a hoodie on, obscuring all features; they are illuminated by two large flood lights, as well as a star-filled sky.

The Great Expanse

Hilltop Hoods

Cover art: A grungy, paint-splattered, metallic "H T H" sits in the center of a black, scuffed background. Text above reads "Hilltop hoods, the nosebleed section".

Cover art: A grungy, paint-splattered, metallic "H T H" sits in the center of a black, scuffed background. Text above reads "Hilltop hoods, the nosebleed section".

The Nosebleed Section

Hilltop Hoods

Bird in Paradise

The Cat Empire

Where The Angels Fall

The Cat Empire

Cover art: A woman in a fashionable red coat and sandals stands with her back to the camera, in a desolate dune-scape with storm clouds above. A retro-tech audio panel is built into the small of her back, with several cables leading to an amplifier on a metal table next to her, alongside a large, multi-platter recording device. In the clouds above, text reads: "good books, control" in almost paint-like serif font.

Cover art: A woman in a fashionable red coat and sandals stands with her back to the camera, in a desolate dune-scape with storm clouds above. A retro-tech audio panel is built into the small of her back, with several cables leading to an amplifier on a metal table next to her, alongside a large, multi-platter recording device. In the clouds above, text reads: "good books, control" in almost paint-like serif font.

Control

GoodBooks

Cover art: An atmospheric, black and white painting of a solitary lotus flower set against a textured, featureless background, half in shadow. At bottom left, a vertical brush stroke in neon pink has the word "lotus" punched out, almost as if someone has used their finger to scrape off the paint.

Cover art: An atmospheric, black and white painting of a solitary lotus flower set against a textured, featureless background, half in shadow. At bottom left, a vertical brush stroke in neon pink has the word "lotus" punched out, almost as if someone has used their finger to scrape off the paint.

Lotus

Little Simz

Cover art: A stylish, black and white portrait photograph of an elegant woman, face cast down and largely obscured by a wide-brimmed hat, with a subtle smirk playing on her dark, full lips. A black dress, with a deep v-neck shows little, but highlights her porcelain skin and tall neck, whilst a light to one side casts artistic shadows and highlights. There is no text.

Cover art: A stylish, black and white portrait photograph of an elegant woman, face cast down and largely obscured by a wide-brimmed hat, with a subtle smirk playing on her dark, full lips. A black dress, with a deep v-neck shows little, but highlights her porcelain skin and tall neck, whilst a light to one side casts artistic shadows and highlights. There is no text.

Villain

Dutty Moonshine Big Band

Cover art: A vividly coloured, retro Americana style cartoon child, with blonde hair, blue eyes, and a metal leg brace, playing on a rope swing and holding a gigantic, dog-sized sand flea with tentacles and wings. Shock lines emanate from the kid as a purple and yellow octopus tentacle creeps into scene from the right-hand border, set against a simple background of blue, curved lines. Text above and below, in block capitals reads: the offspring, Americana.

Cover art: A vividly coloured, retro Americana style cartoon child, with blonde hair, blue eyes, and a metal leg brace, playing on a rope swing and holding a gigantic, dog-sized sand flea with tentacles and wings. Shock lines emanate from the kid as a purple and yellow octopus tentacle creeps into scene from the right-hand border, set against a simple background of blue, curved lines. Text above and below, in block capitals reads: the offspring, Americana.

Americana

The Offspring

Cover art: A washed-out, faded colour photograph of two young children in the woods. They stand in a clearing, in front of a ramshackle wood cabin, with two friendly wolves on either side. The young boy wears smart suspenders, a pristine white t-shirt, jeans, and a fashionable flat cap; the blonde-haired girl wears a simple dark dress, bare feet, a homemade headband with flowers, and blue face paint in lines beneath her eyes. Semi-transparent text above reads: wild child, the runaround.

Cover art: A washed-out, faded colour photograph of two young children in the woods. They stand in a clearing, in front of a ramshackle wood cabin, with two friendly wolves on either side. The young boy wears smart suspenders, a pristine white t-shirt, jeans, and a fashionable flat cap; the blonde-haired girl wears a simple dark dress, bare feet, a homemade headband with flowers, and blue face paint in lines beneath her eyes. Semi-transparent text above reads: wild child, the runaround.

The Runaround

Wild Child

Cover art: Three multicolour, diagonal lines on a scuffed black background. Text in the top left reads: "point contact, a fleeting point in terrifying beauty".

Cover art: Three multicolour, diagonal lines on a scuffed black background. Text in the top left reads: "point contact, a fleeting point in terrifying beauty".

A Fleeting Point in Terrifying Beauty

Diode

Cover art: A serene photograph of a calm, pastel-blue sea and sky. Dead centre is a solitary cloud, in the shape of a fan-tailed goldfish. Text in the bottom, over the sea, using a glitchy, layered font, reads: "if summer was a sound".

Cover art: A serene photograph of a calm, pastel-blue sea and sky. Dead centre is a solitary cloud, in the shape of a fan-tailed goldfish. Text in the bottom, over the sea, using a glitchy, layered font, reads: "if summer was a sound".

If Summer Was A Sound

Goldfish

Cover art: A photobash image of a moonlit ocean, with two palm trees emerging from the edge of the waves on the left. Superimposed over the top is a semi-transparent, white, spiral staircase. Behind the trees, the back of an orca is visible on one side, and a rainbow falls from the corner of the image to the centre, fading out as it touches the text "Hawaii: part ii", with Japanese kanji in a rainbow-coloured font beneath. In the far distant night sky, so transparent to almost be invisible, is the great gaping maw of an anglerfish, with the full moon in the spot where its light orb would typically be.

Cover art: A photobash image of a moonlit ocean, with two palm trees emerging from the edge of the waves on the left. Superimposed over the top is a semi-transparent, white, spiral staircase. Behind the trees, the back of an orca is visible on one side, and a rainbow falls from the corner of the image to the centre, fading out as it touches the text "Hawaii: part ii", with Japanese kanji in a rainbow-coloured font beneath. In the far distant night sky, so transparent to almost be invisible, is the great gaping maw of an anglerfish, with the full moon in the spot where its light orb would typically be.

Hawaii: Part II

Miracle Musical

Cover art: An artistically inked drawing of a hand, reaching up from the middle of the cover, with purple fingernails, a hospital ward tag around the wrist, and a violet (flower) held loosely between the fingers, all set against a black, textured background. There are no other marks or text, making it feel very lonely.

Cover art: An artistically inked drawing of a hand, reaching up from the middle of the cover, with purple fingernails, a hospital ward tag around the wrist, and a violet (flower) held loosely between the fingers, all set against a black, textured background. There are no other marks or text, making it feel very lonely.

Violet's Tale

Ren

Cover art: A collage of two cassette tapes. On top, a photo of a white tape on a speckled, grey background; handwritten on the top is "Ren: demos (do not share)". The bottom half is a stylised, vintage, drawing of a black tape on a creme background, with text printed bottom right reading "2020". Both tapes have a number on their side, bisected so that the top of "side 1" and bottom of "volume 2" is visible.

Cover art: A collage of two cassette tapes. On top, a photo of a white tape on a speckled, grey background; handwritten on the top is "Ren: demos (do not share)". The bottom half is a stylised, vintage, drawing of a black tape on a creme background, with text printed bottom right reading "2020". Both tapes have a number on their side, bisected so that the top of "side 1" and bottom of "volume 2" is visible.

Demos

Ren

Cover art: A large, white, disembodied cartoon hand holds a gold, vintage pocket-watch or clock. Both float in a black void with a slightly rough, fabric-like texture. The clock uses Roman numerals and all three hands are shown in motion. White, cartoonish text above reads: clock master, Lyre le Temps.

Cover art: A large, white, disembodied cartoon hand holds a gold, vintage pocket-watch or clock. Both float in a black void with a slightly rough, fabric-like texture. The clock uses Roman numerals and all three hands are shown in motion. White, cartoonish text above reads: clock master, Lyre le Temps.

Clock Master

Lyre Le Temps

Cover art: A retro-futurist line drawing, using faded pastel colours (mainly shades of blue and purple) and rough textures. Three people and a dog stand casually in front of a house-sized building in the shape of a robot's head, with round windows for eyes and a gaping, tunnel-like entrance as a mouth. They wear red suits, white shirts, and blue ties. The middle figure is a woman with large rimmed sunglasses; her jacket is longer, almost like a lab coat. Smoke billows around them, emanating from the structure. Text below, in a vintage font, reads: caravan palace, gangbusters melody club.

Cover art: A retro-futurist line drawing, using faded pastel colours (mainly shades of blue and purple) and rough textures. Three people and a dog stand casually in front of a house-sized building in the shape of a robot's head, with round windows for eyes and a gaping, tunnel-like entrance as a mouth. They wear red suits, white shirts, and blue ties. The middle figure is a woman with large rimmed sunglasses; her jacket is longer, almost like a lab coat. Smoke billows around them, emanating from the structure. Text below, in a vintage font, reads: caravan palace, gangbusters melody club.

Gangbusters Melody Club

Caravan Palace

EMPOR

Meute

Cover art: A vivid blue light painting of geometric shapes in front of a black background, creating an almost net-like, ethereal image. White, all-caps text in the top right reads: "Meute, taumel".

Cover art: A vivid blue light painting of geometric shapes in front of a black background, creating an almost net-like, ethereal image. White, all-caps text in the top right reads: "Meute, taumel".

Taumel

Meute

Cover art: A gritty, black and white photo of two men, stood menacingly in front of a black Jeep against a black background. One is cocking a gun in front of him, whilst wearing a cowboy hat, dungarees, and checked shirt, sleeves rolled up. The other holds a Tommy gun loosely over one shoulder, wearing jeans, a white shirt, and waistcoat, hair slicked back. Both are making eye contact with the camera. Text above in white reads "Lyre le temps, prohibition swing".

Cover art: A gritty, black and white photo of two men, stood menacingly in front of a black Jeep against a black background. One is cocking a gun in front of him, whilst wearing a cowboy hat, dungarees, and checked shirt, sleeves rolled up. The other holds a Tommy gun loosely over one shoulder, wearing jeans, a white shirt, and waistcoat, hair slicked back. Both are making eye contact with the camera. Text above in white reads "Lyre le temps, prohibition swing".

Prohibition Swing

Lyre Le Temps

The Art Of Sampling

Parov Stelar

Cover art: A black and white, high-key portrait of Bongeziwe, wearing only a necklace of a simple chain holding a small, X-shaped figure. Only one eye is visible, and this is partially cut off as the rest of his face is out of the frame; similarly, the frame cuts just below his shoulders at the bottom. The text "amaXesha" (large X) in subtle pink is placed in the middle.

Cover art: A black and white, high-key portrait of Bongeziwe, wearing only a necklace of a simple chain holding a small, X-shaped figure. Only one eye is visible, and this is partially cut off as the rest of his face is out of the frame; similarly, the frame cuts just below his shoulders at the bottom. The text "amaXesha" (large X) in subtle pink is placed in the middle.

amaXesha

Bongeziwe Mabandla

From Zero

Linkin Park

Cover art: A posterised, black and white image of a jockey, whipping a horse, and riding directly out of the cover against a black background. Layered around and over the jockey is the text: "never going under, Circa Waves" in bold, block, orange lettering.

Cover art: A posterised, black and white image of a jockey, whipping a horse, and riding directly out of the cover against a black background. Layered around and over the jockey is the text: "never going under, Circa Waves" in bold, block, orange lettering.

Never Going Under

Circa Waves

Cover art: The text "Jay-Z, Linkin Park, Collision Course" appears in big, blocky, grungy fonts, over the top of a chaotic mash-up of sketch-like line drawings on a paint-splattered background. Sketches include various instruments, recording equipment, boomboxes, and various hands holding mics, throwing rock-shockers, all very stylised.

Cover art: The text "Jay-Z, Linkin Park, Collision Course" appears in big, blocky, grungy fonts, over the top of a chaotic mash-up of sketch-like line drawings on a paint-splattered background. Sketches include various instruments, recording equipment, boomboxes, and various hands holding mics, throwing rock-shockers, all very stylised.

Collision Course

Linkin Park & Jay-Z

Cover art: A vectorised, two-tone cut-out of Blunt's face with a spiral of orange clip-art like images swirling out of his mind in a spiral, set against a blue-to-white gradient background. Text reads: "James Blunt, back to bedlam" in the center of the spiral.

Cover art: A vectorised, two-tone cut-out of Blunt's face with a spiral of orange clip-art like images swirling out of his mind in a spiral, set against a blue-to-white gradient background. Text reads: "James Blunt, back to bedlam" in the center of the spiral.

Back To Bedlam

James Blunt

Cover art: An imposing portrait of a long-haired man wearing a chiselled, matte black, full face mask, over the top of which are a pair of large sunglasses and a black, leather flat cap, hiding all features. The background is a red glow, fading to black.

Cover art: An imposing portrait of a long-haired man wearing a chiselled, matte black, full face mask, over the top of which are a pair of large sunglasses and a black, leather flat cap, hiding all features. The background is a red glow, fading to black.

SOUL BOY IV

The Skinner Brothers

Cover art: A vividly colourful cloudscape, with lots of sunset colours; oranges, purples, yellows. Semitransparent text over the top reads: "marvel years, nowhere but up". At the centre bottom there is a crest, with the text "GR: gravitas recordings", surrounded by two lions rampant, with a crown and an Illuminati all-seeing-eye above.

Cover art: A vividly colourful cloudscape, with lots of sunset colours; oranges, purples, yellows. Semitransparent text over the top reads: "marvel years, nowhere but up". At the centre bottom there is a crest, with the text "GR: gravitas recordings", surrounded by two lions rampant, with a crown and an Illuminati all-seeing-eye above.

Nowhere But Up

Marvel Years

Cover art: A drawing of the two members of Puuluup standing on a single pair of bright pink cross-country skis, seemingly moving them in tandem. They are wearing brown suits, angled with their left shoulders towards the viewer, faces turned to look straight out. They are drawn in a slightly surrealist, heavy-lined style in blue ink. The text "Puuluup" is superimposed over the top in a rough, wavy, white font, whilst the album title, "viimane suusataja", is below in black.

Cover art: A drawing of the two members of Puuluup standing on a single pair of bright pink cross-country skis, seemingly moving them in tandem. They are wearing brown suits, angled with their left shoulders towards the viewer, faces turned to look straight out. They are drawn in a slightly surrealist, heavy-lined style in blue ink. The text "Puuluup" is superimposed over the top in a rough, wavy, white font, whilst the album title, "viimane suusataja", is below in black.

Viimane Suusataja

Puuluup

Cover art: A cartoon cityscape with whimsical tower blocks, cinemas, and a port. Scattered around amongst the buildings are various monstrous animals, including a Godzilla wearing a business suit, a large mammoth, tortoise, and octopus, which the people seem to largely be ignoring. At top right in front of the sky is a hot air balloon packed with cartoon caricatures of the band overseeing the scene below. Text top left reads: "cut capers, metropolis".

Cover art: A cartoon cityscape with whimsical tower blocks, cinemas, and a port. Scattered around amongst the buildings are various monstrous animals, including a Godzilla wearing a business suit, a large mammoth, tortoise, and octopus, which the people seem to largely be ignoring. At top right in front of the sky is a hot air balloon packed with cartoon caricatures of the band overseeing the scene below. Text top left reads: "cut capers, metropolis".

Metropolis

Cut Capers

Cover art: A paper-textured background overlaid with thin strips of multiple black-and-white photos, each with gaps between them. The photos are of various faces, resulting in an image that resembles a barcode at first glance, but with discernable patches of faces, eyes, and clothing. At the top is simple black text that reads "the king krill", then "Rick Holland and Old Man Diode, Andrew Plummer, Beth Rowley, Chris James, I am FYA, Onallee".

Cover art: A paper-textured background overlaid with thin strips of multiple black-and-white photos, each with gaps between them. The photos are of various faces, resulting in an image that resembles a barcode at first glance, but with discernable patches of faces, eyes, and clothing. At the top is simple black text that reads "the king krill", then "Rick Holland and Old Man Diode, Andrew Plummer, Beth Rowley, Chris James, I am FYA, Onallee".

The King Krill

Diode

Cover art: A disassembled phone is shown meticulously spread out across a green, textured background, alongside a single swivel screwdriver. At the top left, in gold letters designed to look like circuit board channels, is the title "outside in", with a faux mirror image beneath that reads, backwards, "inside out". In the centre is "Swingrowers" written in floral, silver font. At the bottom right, cut out of the back of the phone is a circle, through which a human eye is staring, seemingly disembodied.

Cover art: A disassembled phone is shown meticulously spread out across a green, textured background, alongside a single swivel screwdriver. At the top left, in gold letters designed to look like circuit board channels, is the title "outside in", with a faux mirror image beneath that reads, backwards, "inside out". In the centre is "Swingrowers" written in floral, silver font. At the bottom right, cut out of the back of the phone is a circle, through which a human eye is staring, seemingly disembodied.

Outsidein

Swingrowers

Cover art: A grungy, vector-art image of an angel, wings stretched wide, straining against the shackles that chain their arms, wind whipping their hair out across a full moon. Around their waist is a toga-like cloth, whilst their chest shows a single, large, red heart with two arrows sticking out of it. The face is obscured in blackness. White text above reads: "The offspring, rise and fall, rage and grace".

Cover art: A grungy, vector-art image of an angel, wings stretched wide, straining against the shackles that chain their arms, wind whipping their hair out across a full moon. Around their waist is a toga-like cloth, whilst their chest shows a single, large, red heart with two arrows sticking out of it. The face is obscured in blackness. White text above reads: "The offspring, rise and fall, rage and grace".

Rise And Fall, Rage And Grace

The Offspring

Cover art: A grungey, cartoonish coat of arms, all in red with some black accents and shadows. At the centre is a shield with five white stars along the top, and alternating vertical stripes across the body, reminiscent of the American flag. To either side, a young boy with blacked-out eyes and a chimpanzee are leaning around the shield, each holding a single baseball bat that crosses in an X in the centre of the motif.
Behind them, a squid-like monster is rising, its head peaking above the top of the shield, its size tentacles spreading out to either side in symmetry. Around this is bold, white text on a black circle that reads: "The Offspring, Rise and Fall, Rage and Grace".

Cover art: A grungey, cartoonish coat of arms, all in red with some black accents and shadows. At the centre is a shield with five white stars along the top, and alternating vertical stripes across the body, reminiscent of the American flag. To either side, a young boy with blacked-out eyes and a chimpanzee are leaning around the shield, each holding a single baseball bat that crosses in an X in the centre of the motif.
Behind them, a squid-like monster is rising, its head peaking above the top of the shield, its size tentacles spreading out to either side in symmetry. Around this is bold, white text on a black circle that reads: "The Offspring, Rise and Fall, Rage and Grace".

Live From Hell Fest

The Offspring

Cover art: A brightly-lit Little Simz, with just her shoulders and face visible, stares out directly from the cover with a look of mild annoyance and slight surprise, her hair partially covering her face. She's wearing a zip-up denim hoodie and gold earrings. Behind her is a white, 3-D lattice, almost like a molecular structure.

Cover art: A brightly-lit Little Simz, with just her shoulders and face visible, stares out directly from the cover with a look of mild annoyance and slight surprise, her hair partially covering her face. She's wearing a zip-up denim hoodie and gold earrings. Behind her is a white, 3-D lattice, almost like a molecular structure.

No Thank You

Little Simz

Cover art: The four members of the band stand at the bottom of an empty, blue-tiled pool, in a photo reminiscent of police lineups. At either end, above their heads, are two gigantic embedded lights that would illuminate the pool. They are wearing a colourful assortment of clothes. Text above and below the photo reads: "Bukahara, tales of the tides".

Cover art: The four members of the band stand at the bottom of an empty, blue-tiled pool, in a photo reminiscent of police lineups. At either end, above their heads, are two gigantic embedded lights that would illuminate the pool. They are wearing a colourful assortment of clothes. Text above and below the photo reads: "Bukahara, tales of the tides".

Tales of the Tides

Bukahara

Cover art: A posterised closeup of a male peacock, tail fan fully spread, looking directly at the camera. The peacock's body has been coloured entirely bright, canary yellow; the tail is blue, with yellow and purple eyelets. Blocky white text above (and slightly behind the peacock's raised head) reads: "Bukahara, canaries in a coal mine".

Cover art: A posterised closeup of a male peacock, tail fan fully spread, looking directly at the camera. The peacock's body has been coloured entirely bright, canary yellow; the tail is blue, with yellow and purple eyelets. Blocky white text above (and slightly behind the peacock's raised head) reads: "Bukahara, canaries in a coal mine".

Canaries in a Coal Mine

Bukahara

Cover art: A neoclassical, marble bust of the classic Caravan Palace robot mascot, arms broken off, face and chest showing signs of weathering and cracks, all artfully lit against a maroon background, with dust motes caught in the light. There is no text.

Cover art: A neoclassical, marble bust of the classic Caravan Palace robot mascot, arms broken off, face and chest showing signs of weathering and cracks, all artfully lit against a maroon background, with dust motes caught in the light. There is no text.

Chronologic

Caravan Palace

Cover art: NF sits on the edge of a slightly stormy cloudbank, dwarfed by the size of the fluffy vapours around him. He is sat side-on to the camera, with feet dangling over the edge, in a hunched position, looking down at his hands, which rest in the pocket of hoodie. His face is largely obscured by distance and a blue beanie, but appears contemplative. Small text bottom right reads: "N F".

Cover art: NF sits on the edge of a slightly stormy cloudbank, dwarfed by the size of the fluffy vapours around him. He is sat side-on to the camera, with feet dangling over the edge, in a hunched position, looking down at his hands, which rest in the pocket of hoodie. His face is largely obscured by distance and a blue beanie, but appears contemplative. Small text bottom right reads: "N F".

Clouds (The Mixtape)

NF

Cover art: NF stands on a rustic raft, made of cut logs and branches, in a calm ocean. He is holding a large piece of parchment, battered and torn, like a treasure map, which he is reading intently, causing his white cap to conceal his face entirely. Around him are a few pieces of scattered fishing equipment. Above him, in plain white text are the words: "N F, hope".

Cover art: NF stands on a rustic raft, made of cut logs and branches, in a calm ocean. He is holding a large piece of parchment, battered and torn, like a treasure map, which he is reading intently, causing his white cap to conceal his face entirely. Around him are a few pieces of scattered fishing equipment. Above him, in plain white text are the words: "N F, hope".

Hope

NF

Cover art: A photo of a small wooden hut in a semi-tropical setting, with various runes and other mystical marks carved into the wood, and a brick path leading down from the right to the front door. In the foreground, 2-D is raising one hand and yelling or singing loudly, slightly motion-blurred, whilst wearing a pink gown and red gnome hat. Behind him, Murdoc appears to be floating in a purple gown with a similar hat, arms outstretched in front of the hut. He is surrounded by a pink glow. Below him, Russell stands nonchalantly, holding a cigarette and a barely visible rope that can be traced back to Murdoc, providing the illusion of levitation. Besides Russell, sat cross-legged on the steps of the path, is Noodles, side-eyeing Murdoc with a sly grin. Her tank top reads "Helter Skelter". Above Murdoc, text reads "Gorillaz, cracker island" in a faux-gothic font.

Cover art: A photo of a small wooden hut in a semi-tropical setting, with various runes and other mystical marks carved into the wood, and a brick path leading down from the right to the front door. In the foreground, 2-D is raising one hand and yelling or singing loudly, slightly motion-blurred, whilst wearing a pink gown and red gnome hat. Behind him, Murdoc appears to be floating in a purple gown with a similar hat, arms outstretched in front of the hut. He is surrounded by a pink glow. Below him, Russell stands nonchalantly, holding a cigarette and a barely visible rope that can be traced back to Murdoc, providing the illusion of levitation. Besides Russell, sat cross-legged on the steps of the path, is Noodles, side-eyeing Murdoc with a sly grin. Her tank top reads "Helter Skelter". Above Murdoc, text reads "Gorillaz, cracker island" in a faux-gothic font.

Cracker Island

Gorillaz

A' Ghrian

Niteworks

Cover art: On a bright, blue-sky day, Sam stands on the top of a hill, wearing jeans, a t-shirt, and a blood-red knitted jumper that he is pulling up over his head, completely obscuring his face. Text above reads "Sam Sweeney, escape that" in bold, block lettering.

Cover art: On a bright, blue-sky day, Sam stands on the top of a hill, wearing jeans, a t-shirt, and a blood-red knitted jumper that he is pulling up over his head, completely obscuring his face. Text above reads "Sam Sweeney, escape that" in bold, block lettering.

Escape That

Sam Sweeney

Cover art: A quirky illustration of four cartoon planetoids in a starry sky. The central planet has a huge beansprout growing from its furry, red surface. On various stems, a range of exotic and alien flowers and mushrooms are growing, including a blue flower with an eye-like centre. At the very top is a solitary rose with a bell jar placed over it. Around the base, there are clouds and cacti. The other three planets include a yellow world with a blue ring; a rocky orange planet with large craters; and a planet covered in dripping oil, with large skyscrapers rising up and a fat chimney belching smoke. Text above reads "Swingrowers, hybrid".

Cover art: A quirky illustration of four cartoon planetoids in a starry sky. The central planet has a huge beansprout growing from its furry, red surface. On various stems, a range of exotic and alien flowers and mushrooms are growing, including a blue flower with an eye-like centre. At the very top is a solitary rose with a bell jar placed over it. Around the base, there are clouds and cacti. The other three planets include a yellow world with a blue ring; a rocky orange planet with large craters; and a planet covered in dripping oil, with large skyscrapers rising up and a fat chimney belching smoke. Text above reads "Swingrowers, hybrid".

Hybrid

Swingrowers

Cover art: Sam standing in front of an out-of-focus brick wall, clasping a fiddle to his chest with one arm, whilst looking down and to the side with a slight smile. Text reads "Sam Sweeney, unearth repeat".

Cover art: Sam standing in front of an out-of-focus brick wall, clasping a fiddle to his chest with one arm, whilst looking down and to the side with a slight smile. Text reads "Sam Sweeney, unearth repeat".

Unearth Repeat

Sam Sweeney

Cover art: A demonic Billie sits on the edge of an extra-large bed, grinning widely to show her teeth and staring directly out of the photo with completely white, pupil-less eyes. She wears all-white, loose-fitting clothes, contrasting with her grey and dark blue hair, and sits in a slumped position, arms hanging down to her sides.

Cover art: A demonic Billie sits on the edge of an extra-large bed, grinning widely to show her teeth and staring directly out of the photo with completely white, pupil-less eyes. She wears all-white, loose-fitting clothes, contrasting with her grey and dark blue hair, and sits in a slumped position, arms hanging down to her sides.

WHEN WE ALL FALL ASLEEP, WHERE DO WE GO?

Billie Eilish

Cover art: A slightly washed out photograph of a moody seascape, with mountainous islands silhouetted against a setting sun. Vibrant text that reads "Vermillion Sands: a new development by Lazy Habits" is placed over the clouds.

Cover art: A slightly washed out photograph of a moody seascape, with mountainous islands silhouetted against a setting sun. Vibrant text that reads "Vermillion Sands: a new development by Lazy Habits" is placed over the clouds.

Vermillion Sands

Lazy Habits

Cover art: A vividly colourful pastel painting of Jeremy, looking straight out of frame, with wild rainbow-coloured hair and holding a guitar over one shoulder. His face is reflected in the body of the guitar. Text above reads: "Jeremy Loops, heart you got love" on a pale blue background.

Cover art: A vividly colourful pastel painting of Jeremy, looking straight out of frame, with wild rainbow-coloured hair and holding a guitar over one shoulder. His face is reflected in the body of the guitar. Text above reads: "Jeremy Loops, heart you got love" on a pale blue background.

Heard You Got Love

Jeremy Loops

Cover art: A black and white photograph that has been double exposed. The first exposure is a side portrait of Jeremy, eyes closed, looking happy and chilled out. Overlaying this is a photo of reflections on the ocean and three men on a small fishing boat, one playing the saxophone, another shining a light at the camera. Text above and below reads: Jeremy Loops, trading change.

Cover art: A black and white photograph that has been double exposed. The first exposure is a side portrait of Jeremy, eyes closed, looking happy and chilled out. Overlaying this is a photo of reflections on the ocean and three men on a small fishing boat, one playing the saxophone, another shining a light at the camera. Text above and below reads: Jeremy Loops, trading change.

Trading Change

Jeremy Loops

Cover art: Abel standing against a plain, empty background, eyes closed and headed tilted back, his mouth open in song. One hand rests on a cello, the other holds the bow. He's wearing white trainers, black velvet trousers, a green shirt, and a beautiful felt blazer decorated with various blue and black patterns. Gold text to one side reads: Abel Selaocoe, where is home (hae ke kae).

Cover art: Abel standing against a plain, empty background, eyes closed and headed tilted back, his mouth open in song. One hand rests on a cello, the other holds the bow. He's wearing white trainers, black velvet trousers, a green shirt, and a beautiful felt blazer decorated with various blue and black patterns. Gold text to one side reads: Abel Selaocoe, where is home (hae ke kae).

Where Is Home (Hae Ke Kae)

Abel Selaocoe

Cover art: A colourful, cartoony montage of scenes referencing songs from the album, each separated by wavy lines, with the words "RA3" and the album title in hand-drawn letters in the centre. Clockwise from top left: a smiling pink bird flies towards a sunset over a tropical ocean and between palm trees; a green, human face weeps next to assorted drug paraphernalia; a cuddly, loving brown bear with a tattoo that says "mom" hugs two bear cubs under a full moon; a man looks in the mirror with a concerned expression and sees in the reflection various small versions of himself climbing on him and getting up to mischief; an anthropomorphised, smiling female jaguar wearing bold pink and yellow sunglasses and a yellow tank top, standing in front of a backdrop of cartoon hearts; and a happy blue dog running down a suburban street wearing headphones. In the middle, behind the text, is a man sitting with legs splayed and hands on his knees, wearing a Rare Americans t-shirt, jeans, and purple trainers, whilst staring forward, slack-jawed with eyes shown as swirling spirals. His head is positioned over the scene of drug paraphernalia, framing it with various pills.

Cover art: A colourful, cartoony montage of scenes referencing songs from the album, each separated by wavy lines, with the words "RA3" and the album title in hand-drawn letters in the centre. Clockwise from top left: a smiling pink bird flies towards a sunset over a tropical ocean and between palm trees; a green, human face weeps next to assorted drug paraphernalia; a cuddly, loving brown bear with a tattoo that says "mom" hugs two bear cubs under a full moon; a man looks in the mirror with a concerned expression and sees in the reflection various small versions of himself climbing on him and getting up to mischief; an anthropomorphised, smiling female jaguar wearing bold pink and yellow sunglasses and a yellow tank top, standing in front of a backdrop of cartoon hearts; and a happy blue dog running down a suburban street wearing headphones. In the middle, behind the text, is a man sitting with legs splayed and hands on his knees, wearing a Rare Americans t-shirt, jeans, and purple trainers, whilst staring forward, slack-jawed with eyes shown as swirling spirals. His head is positioned over the scene of drug paraphernalia, framing it with various pills.

Jamesy Boy & The Screw Loose Zoo

Rare Americans

Cover art: Dan the Automater and Prince Paul stand in the midst of several bright white, naked mannequins that are positioned in fashion show poses. The two men are wearing fine suits, sporting large moustaches, and raising glasses of sherry or whisky. Dan is nonchalantly leaning on one mannequin with a cigar in his hand; Paul is smoking an unlit pipe. The scene drips sarcastic opulence.

Cover art: Dan the Automater and Prince Paul stand in the midst of several bright white, naked mannequins that are positioned in fashion show poses. The two men are wearing fine suits, sporting large moustaches, and raising glasses of sherry or whisky. Dan is nonchalantly leaning on one mannequin with a cigar in his hand; Paul is smoking an unlit pipe. The scene drips sarcastic opulence.

White People

Handsome Boy Modeling School

Cover art: Closeup of a cartoon, military parade jacket, with blue fabric and golden buttons.

Cover art: Closeup of a cartoon, military parade jacket, with blue fabric and golden buttons.

The Spirit

Bakermat

Cover art: A middle-aged white man in chinos and a pink, short-sleeved shirt, standing on a sunny golf green whilst making a practice swing with a golf club. Their expression is best described as indifferent.

Cover art: A middle-aged white man in chinos and a pink, short-sleeved shirt, standing on a sunny golf green whilst making a practice swing with a golf club. Their expression is best described as indifferent.

The Theory of Whatever

Jamie T

Cover art: A washed-out photo of a person with long hair floating in green-blue calm water. They wear goggles and are looking straight down, face partially submerged, at their feet beneath them, whilst arms are outstretched on the water's surface. Text above reads: mystery jets, twenty one.

Cover art: A washed-out photo of a person with long hair floating in green-blue calm water. They wear goggles and are looking straight down, face partially submerged, at their feet beneath them, whilst arms are outstretched on the water's surface. Text above reads: mystery jets, twenty one.

Twenty One

Mystery Jets

Cover art: Little Simz, hunched forward in a leather chair hugging their knees, looking off to the left over a pair of white-rimmed glasses. They're wearing a yellow and blue checked suit, with hair bunched into a large bob of locs. Text above in gold on a black banner reads: "sometimes I might be introvert".

Cover art: Little Simz, hunched forward in a leather chair hugging their knees, looking off to the left over a pair of white-rimmed glasses. They're wearing a yellow and blue checked suit, with hair bunched into a large bob of locs. Text above in gold on a black banner reads: "sometimes I might be introvert".

Sometimes I Might Be Introvert

Little Simz

Cover art: A plain, cream background with old school printing marks down one edge. In the centre, the word "razzmatazz" in minimalist, capital letters is split across four lines of three letters. On the fourth line, the final Z is placed next to the band's abbreviated name, "I D K how", also in block capitals, albeit smaller size and balanced on four diagonal lines of block colour: yellow, orange, red, and black, that extend to the bottom of the sleeve.

Cover art: A plain, cream background with old school printing marks down one edge. In the centre, the word "razzmatazz" in minimalist, capital letters is split across four lines of three letters. On the fourth line, the final Z is placed next to the band's abbreviated name, "I D K how", also in block capitals, albeit smaller size and balanced on four diagonal lines of block colour: yellow, orange, red, and black, that extend to the bottom of the sleeve.

Razzmatazz

I Don't Know How But They Found Me

Cover art: A white background covered in dozens of pieces of chewed bubblegum, all of different sizes, shapes, and colours. A pink gum bubble is sneaking into the top-left of the frame, and in the bottom-right, a wrapper is stuck in one piece of gum, with pink text that reads "the virgins" in cartoon font.

Cover art: A white background covered in dozens of pieces of chewed bubblegum, all of different sizes, shapes, and colours. A pink gum bubble is sneaking into the top-left of the frame, and in the bottom-right, a wrapper is stuck in one piece of gum, with pink text that reads "the virgins" in cartoon font.

The Virgins

The Virgins

Cover art: An underwater image of a serene, blue expanse, light rippling through the calm surface and casting golden haze on the camera lens. In the centre, a trail of bubbles leads down to a person, diving out of frame, no more than a shadow against the blue. Text reads: "Ben Howard, every kingdom" at the top.

Cover art: An underwater image of a serene, blue expanse, light rippling through the calm surface and casting golden haze on the camera lens. In the centre, a trail of bubbles leads down to a person, diving out of frame, no more than a shadow against the blue. Text reads: "Ben Howard, every kingdom" at the top.

Every Kingdom

Ben Howard

Cover art: A black frame borders an abstract, mint blue image reminiscent of waves lapping at a shoreline. The entire cover is noisey, as if viewed through static. Text at the top reads: "swimming static, elder islands".

Cover art: A black frame borders an abstract, mint blue image reminiscent of waves lapping at a shoreline. The entire cover is noisey, as if viewed through static. Text at the top reads: "swimming static, elder islands".

Swimming Static

Elder Island

Cover art: A white background on which neon coloured, minimalist text reads: "Aeroplane, we can't fly". Between the text is a rounded, rectangular cutout in the shape of an airplane window, through which an idyllic beach scene is visible.

Cover art: A white background on which neon coloured, minimalist text reads: "Aeroplane, we can't fly". Between the text is a rounded, rectangular cutout in the shape of an airplane window, through which an idyllic beach scene is visible.

We Can't Fly

Aeroplane

Cover art: A grungy, black and white cityscape cut out and placed over a bright orange and white sunburst, only the sun is a cartoon goldfish's eye. Text reads: "Goldfish, caught in the loop" in mixed, modernist fonts.

Cover art: A grungy, black and white cityscape cut out and placed over a bright orange and white sunburst, only the sun is a cartoon goldfish's eye. Text reads: "Goldfish, caught in the loop" in mixed, modernist fonts.

Caught In The Loop

Goldfish

Cover art: The band's mascot – an anthropomorphic cartoon horse – sits in a train carriage, wearing sunglasses and a red bomber jacket, smoking, and reading a magazine. The view through the window is a beautiful vista looking out over mountains and forests, with a river carving through that forms the letter two. Text above the mountains reads "Rare Americans".

Cover art: The band's mascot – an anthropomorphic cartoon horse – sits in a train carriage, wearing sunglasses and a red bomber jacket, smoking, and reading a magazine. The view through the window is a beautiful vista looking out over mountains and forests, with a river carving through that forms the letter two. Text above the mountains reads "Rare Americans".

Rare Americans 2

Rare Americans

Cover art: A serene photograph of old, boughed trees in a golden, summer light. Standing in the shade beneath the canopy, partially obscured by bushes, spaced out evenly, and very small in the frame are the four band members. Text above reads: "Travis, the invisible band" in white.

Cover art: A serene photograph of old, boughed trees in a golden, summer light. Standing in the shade beneath the canopy, partially obscured by bushes, spaced out evenly, and very small in the frame are the four band members. Text above reads: "Travis, the invisible band" in white.

The Invisible Band

Travis

Cover art: Elegant but slightly grungy white text on a black background reads: "Is the planet banging or is it just us? 1930. Smokey joe and the kid. Smokid Inc."

Cover art: Elegant but slightly grungy white text on a black background reads: "Is the planet banging or is it just us? 1930. Smokey joe and the kid. Smokid Inc."

Smokid Inc. / The Game

Smokey Joe & The Kid

Cover art: Elegant, calligraphic text with paint drips reads: "Nasty tricks", set on a textured white background. Underneath is stamped the text "Smokey joe and the kid" like a postmark.

Cover art: Elegant, calligraphic text with paint drips reads: "Nasty tricks", set on a textured white background. Underneath is stamped the text "Smokey joe and the kid" like a postmark.

Nasty Tricks

Smokey Joe & The Kid

Cover art: Text in a 70s style with multicolour text-shadow reads: "war is over, smokey joe and the kid" on a black background.

Cover art: Text in a 70s style with multicolour text-shadow reads: "war is over, smokey joe and the kid" on a black background.

War Is Over

Smokey Joe & The Kid

Cover art: A high contrast photo of Bongeziwe, leaning on the edge of the balcony of a red brick high rise, turning his body to face the camera behind him. Small text at the bottom reads: "iimini".

Cover art: A high contrast photo of Bongeziwe, leaning on the edge of the balcony of a red brick high rise, turning his body to face the camera behind him. Small text at the bottom reads: "iimini".

iimini

Bongeziwe Mabandla

Cover art: A grainy, black and white photo of the back of a young blonde woman's head and shoulders. Bisecting the frame is a dotted line, running top-to-bottom through her hair. Plain text in the upper-right corner reads: "Yellow ostrich, the mistress".

Cover art: A grainy, black and white photo of the back of a young blonde woman's head and shoulders. Bisecting the frame is a dotted line, running top-to-bottom through her hair. Plain text in the upper-right corner reads: "Yellow ostrich, the mistress".

The Mistress

Yellow Ostrich

Cover art: A cartoon moustache sewn out of various fancy fabrics, beads, and a shiny silver leather centre, sits on a blue table with various sewing implements and offcuts scattered around. Text above, also hand-sewn and silver, reads "deluxe"; text below formed out of string and yarn reads "boys and girl".

Cover art: A cartoon moustache sewn out of various fancy fabrics, beads, and a shiny silver leather centre, sits on a blue table with various sewing implements and offcuts scattered around. Text above, also hand-sewn and silver, reads "deluxe"; text below formed out of string and yarn reads "boys and girl".

Boys & Girl

Deluxe

Cover art: A large moustache shape made out of lit lightbulbs on a black background, with vertical black stripes. Text reads: "Deluxe, Stachelight".

Cover art: A large moustache shape made out of lit lightbulbs on a black background, with vertical black stripes. Text reads: "Deluxe, Stachelight".

Stachelight

Deluxe

Cover art: Plan B sits on the edge of a stage, lit by a single spotlight that casts half their face in shadow, wearing a suit and looking downcast. Above, an illuminated sign board reads "Plan B presents: the defamation of Strickland Banks" in red, bold, capital letters.

Cover art: Plan B sits on the edge of a stage, lit by a single spotlight that casts half their face in shadow, wearing a suit and looking downcast. Above, an illuminated sign board reads "Plan B presents: the defamation of Strickland Banks" in red, bold, capital letters.

The Defamation of Strickland Banks

Plan B

Cover art: A black and white photo of the band as teenagers lounging around a green room backstage with various instruments. Text above reads: "inside in, inside out, the kooks".

Cover art: A black and white photo of the band as teenagers lounging around a green room backstage with various instruments. Text above reads: "inside in, inside out, the kooks".

Inside In Inside Out

The Kooks

Cover art: An aerial photograph of a young woman in a white bikini, floating on her back in a crystal clear, calm aquamarine ocean. Her arms are outstretched in the shape of a T. Beneath her, white sands and clumps of plants are visible. To the left is an orange and purple rocky shoreline. Text reads: "the cat empire, stolen diamonds".

Cover art: An aerial photograph of a young woman in a white bikini, floating on her back in a crystal clear, calm aquamarine ocean. Her arms are outstretched in the shape of a T. Beneath her, white sands and clumps of plants are visible. To the left is an orange and purple rocky shoreline. Text reads: "the cat empire, stolen diamonds".

Stolen Diamonds

The Cat Empire

Cover art: A regal ginger tomcat wearing an aboriginal headdress of feathers and gems holds a bizarre instrument made up of a tuba horn, guitar strings, a record player, and keyboard keys. Behind them, other cats are visible playing various instruments, whilst jungle plants and ruined walls frame the scene.

Cover art: A regal ginger tomcat wearing an aboriginal headdress of feathers and gems holds a bizarre instrument made up of a tuba horn, guitar strings, a record player, and keyboard keys. Behind them, other cats are visible playing various instruments, whilst jungle plants and ruined walls frame the scene.

Steal The Light

The Cat Empire

Cover art: A symmetrical, red splatter pattern on a light green background. The pattern is reminiscent of a flower or brain scan. Text within a red border reads: "grand brothers open", wrapping around the corners.

Cover art: A symmetrical, red splatter pattern on a light green background. The pattern is reminiscent of a flower or brain scan. Text within a red border reads: "grand brothers open", wrapping around the corners.

Open

Grandbrothers

Cover art: A young man with paint-splattered jeans and a gas mask on, crouches over a concrete floor with a spray paint can in hand in an industrial building. Several more paint cans are around him, as well as electrical cabling. Text reads "Linkin Park, Meteora" above a bottom half of pure black.

Cover art: A young man with paint-splattered jeans and a gas mask on, crouches over a concrete floor with a spray paint can in hand in an industrial building. Several more paint cans are around him, as well as electrical cabling. Text reads "Linkin Park, Meteora" above a bottom half of pure black.

Meteora

Linkin Park

Cover art: Atop a high rise building, washed with golden sunset light, the four band members are walking, shadows stretching away before them. Photo taken from the opposite building, so they are very small against the cityscape. Text reads: "Travis, the boy with no name".

Cover art: Atop a high rise building, washed with golden sunset light, the four band members are walking, shadows stretching away before them. Photo taken from the opposite building, so they are very small against the cityscape. Text reads: "Travis, the boy with no name".

The Boy With No Name

Travis

Cover art: A person stands atop a bright pink rocky, scrub-covered desert outcrop, with a gigantic yellow orb just behind. This image is set in front of a photo of palm trees and tropical skies, also given a pink wash. Text reads "big gigantic, free your mind".

Cover art: A person stands atop a bright pink rocky, scrub-covered desert outcrop, with a gigantic yellow orb just behind. This image is set in front of a photo of palm trees and tropical skies, also given a pink wash. Text reads "big gigantic, free your mind".

Free Your Mind

Big Gigantic

Cover art: Underwater, in a sunbeam amongst a kelp forest, Jeremy Loops is playing guitar. At his side, a notebook and pen fall from one hand, as fish dart about his feet. Text reads "Jeremy Loops, critical as water".

Cover art: Underwater, in a sunbeam amongst a kelp forest, Jeremy Loops is playing guitar. At his side, a notebook and pen fall from one hand, as fish dart about his feet. Text reads "Jeremy Loops, critical as water".

Critical As Water

Jeremy Loops

Cover art: The text "Wheatus" appears in cartoonish, bright red font in front of a blue and yellow checkboard background.

Cover art: The text "Wheatus" appears in cartoonish, bright red font in front of a blue and yellow checkboard background.

Wheatus

Wheatus

Cover art: A six-armed woman in Dia de Los Muertos makeup points a smoking gun straight ahead; she wears blood-spattered black clothes and a sombrero. Her extra hands hold a black rose, a fist of US dollars, pain killers, and a pirate flag. Blue lightning crackles around her as the rain pours down.

Cover art: A six-armed woman in Dia de Los Muertos makeup points a smoking gun straight ahead; she wears blood-spattered black clothes and a sombrero. Her extra hands hold a black rose, a fist of US dollars, pain killers, and a pirate flag. Blue lightning crackles around her as the rain pours down.

Let The Bad Times Roll

The Offspring

Cover art: A red-leaved bush set against a blurry cityscape, with the text "Plans" and "death cab for cutie" in front.

Cover art: A red-leaved bush set against a blurry cityscape, with the text "Plans" and "death cab for cutie" in front.

Plans

Death Cab for Cutie

Cover art: A giant cartoon man wearing jeans, a maroon waistcoat, yellow shirt, tie, and glasses unhinges his jaw whilst a smaller man with a truncheon stands on his shoulder and looks in his mouth. The giant is flanked by two other smaller men and a dog, all of which are wearing crowns and dungarees. The text "Los Campesinos!" appears in a red speech bubble above the giant's head. Below it, in black, is the album title.

Cover art: A giant cartoon man wearing jeans, a maroon waistcoat, yellow shirt, tie, and glasses unhinges his jaw whilst a smaller man with a truncheon stands on his shoulder and looks in his mouth. The giant is flanked by two other smaller men and a dog, all of which are wearing crowns and dungarees. The text "Los Campesinos!" appears in a red speech bubble above the giant's head. Below it, in black, is the album title.

Hold On Now, Youngster...

Los Campesinos!

Cover art: Grungy tiger stripes with the text "Isla Del Rojo" in bold white font at the top.

Cover art: Grungy tiger stripes with the text "Isla Del Rojo" in bold white font at the top.

Isla del Rojo

Isla Del Rojo

Cover art: Watercolour drawing of an orangutan throttling a naked man by the throat, flanked by a gorilla and chimpanzee.

Cover art: Watercolour drawing of an orangutan throttling a naked man by the throat, flanked by a gorilla and chimpanzee.

Subway Gawdz

Too Many Zooz

Cover art: A bright yellow stylised, flaming skull on a red and gold circular background, in the middle of a blue gradient; yellow text above and below reads "The Offspring: Conspiracy of One" in a graffiti font.

Cover art: A bright yellow stylised, flaming skull on a red and gold circular background, in the middle of a blue gradient; yellow text above and below reads "The Offspring: Conspiracy of One" in a graffiti font.

Conspiracy Of One

The Offspring

Cover art: A grainy black and white photo taken underwater of two people, fully clothed and with long hair, holding one other whilst treading water. Their faces are above the water level and cannot be seen, whilst their bodies appear illuminated in a shaft of light. Text on the left edge provides the album name, artist name, and tracklist.

Cover art: A grainy black and white photo taken underwater of two people, fully clothed and with long hair, holding one other whilst treading water. Their faces are above the water level and cannot be seen, whilst their bodies appear illuminated in a shaft of light. Text on the left edge provides the album name, artist name, and tracklist.

Beneath this Burning Shoreline

Cherry Ghost

Distant Relatives

Nas & Damian "Jr. Gong" Marley

Cover art: Close-up portrait of a woman entirely covered in gold body paint except for black lips, with one hand wrapping around the neck with a large lightning bolt ring.

Cover art: Close-up portrait of a woman entirely covered in gold body paint except for black lips, with one hand wrapping around the neck with a large lightning bolt ring.

The Classic

Joan as Police Woman

Cover art: A grainy but sunlit woodland photo, with a blurred shape of a person having run across the frame and the text "Daughter, if you leave" in black across the centre.

Cover art: A grainy but sunlit woodland photo, with a blurred shape of a person having run across the frame and the text "Daughter, if you leave" in black across the centre.

If You Leave

Daughter

Cover art: A large, simple white X set on a black background.

Cover art: A large, simple white X set on a black background.

xx

The xx

Cover art: A colourful, scrapbook-like montage of magazine photos, including the ocean, mountains, Asian temples, and modern architecture. In the centre, torn magazine images evoke the shape of a face with three eyes and red lips. The text "myths of the near future" appears at the top, written on multicoloured tiles arranged in a crossword-like fashion. The band's name, "Klaxons", is scribbled on a window in one of the images.

Cover art: A colourful, scrapbook-like montage of magazine photos, including the ocean, mountains, Asian temples, and modern architecture. In the centre, torn magazine images evoke the shape of a face with three eyes and red lips. The text "myths of the near future" appears at the top, written on multicoloured tiles arranged in a crossword-like fashion. The band's name, "Klaxons", is scribbled on a window in one of the images.

Myths of the Near Future

Klaxons

Cover art: The text "vampire weekend" appears in bold, white text in front of a washed-out, yellow-tinted photo of a chandelier. Beneath the chandelier, the tops of several people's heads are visible; it appears to be some kind of student party.

Cover art: The text "vampire weekend" appears in bold, white text in front of a washed-out, yellow-tinted photo of a chandelier. Beneath the chandelier, the tops of several people's heads are visible; it appears to be some kind of student party.

Vampire Weekend

Vampire Weekend

Cover art: A large, three dimensional, glowing white capital N and W are placed on a small mound in front of a stormy, Scottish mountain hillside. The letters are joined together so that they form a zig-zag of text.

Cover art: A large, three dimensional, glowing white capital N and W are placed on a small mound in front of a stormy, Scottish mountain hillside. The letters are joined together so that they form a zig-zag of text.

Air Fàir An Là

Niteworks

Cover art: null

Cover art: null

Running to the Moon

Smokey Joe & The Kid

Cover art: A grainy, low light photo of a Latin American style hotel with domed turrets. Palm trees are silhouetted in front and a golden Californian sunset behind. Text in neon blue in the bottom right reads "hotel California".

Cover art: A grainy, low light photo of a Latin American style hotel with domed turrets. Palm trees are silhouetted in front and a golden Californian sunset behind. Text in neon blue in the bottom right reads "hotel California".

Hotel California

Eagles

Awesome Mix Vol. 2

Soundtrack

Cover art: A person wearing sunglasses, a bobble hat, and a knitted jumper stands in a small rowing boat on a river, with an old fashioned double-reel tape recorder in one hand, holding a recording mic above their head. On either bank gnarled trees rise up out of the mist, their branches meeting overhead, blocking all but a single beam of light that illuminates the mist around the boat. The word "river" appears in gold leaf in the top centre.

Cover art: A person wearing sunglasses, a bobble hat, and a knitted jumper stands in a small rowing boat on a river, with an old fashioned double-reel tape recorder in one hand, holding a recording mic above their head. On either bank gnarled trees rise up out of the mist, their branches meeting overhead, blocking all but a single beam of light that illuminates the mist around the boat. The word "river" appears in gold leaf in the top centre.

River

Cee-Roo

Cover art: Painting of a giant hand, held with the palm upwards and fingers slightly curled against a blue sky. From the palm, sixteen naked, white women leap into the air, floating upwards and into the distance. In the bottom corner, mimicking an artist's signature is the text "Fil Bo Riva".

Cover art: Painting of a giant hand, held with the palm upwards and fingers slightly curled against a blue sky. From the palm, sixteen naked, white women leap into the air, floating upwards and into the distance. In the bottom corner, mimicking an artist's signature is the text "Fil Bo Riva".

Beautiful Sadness

Fil Bo Riva

Cover art: A man sits cross-legged on a bull with attitude, as they walk along a rainbow in the clouds. The man is wearing traditional Asiatic robes and holds a flaming microphone and vinyl record in each hand. Behind him, balanced on the bull's back, is a stack of speakers and music equipment. The image is drawn in a Chinese animated style and is surrounded by concentric circles filled with floral motifs, as well as the text "Chinese Man, Shikantaza".

Cover art: A man sits cross-legged on a bull with attitude, as they walk along a rainbow in the clouds. The man is wearing traditional Asiatic robes and holds a flaming microphone and vinyl record in each hand. Behind him, balanced on the bull's back, is a stack of speakers and music equipment. The image is drawn in a Chinese animated style and is surrounded by concentric circles filled with floral motifs, as well as the text "Chinese Man, Shikantaza".

Shikantaza

Chinese Man

Cover art: A hairy, six-limbed monstrous chimaera of a spider and a monkey, with a human skull for a head and a banded tail is clutching a skull and femur in each hand, crawling over assorted bones and drawn in gold foil on a black background.

Cover art: A hairy, six-limbed monstrous chimaera of a spider and a monkey, with a human skull for a head and a banded tail is clutching a skull and femur in each hand, crawling over assorted bones and drawn in gold foil on a black background.

Ixnay on the Hombre

The Offspring

Cover art: Several keyboards, guitars, mics, and a drum set litter a rocky outcrop in front of a blue, craggy mountain.

Cover art: Several keyboards, guitars, mics, and a drum set litter a rocky outcrop in front of a blue, craggy mountain.

Fantasy Black Channel

Late of the Pier

Cover art: An ink line drawing of a pyramid wrapped about by a red scarf, with a large eye rising above the tip and surrounded by various mathematical symbols and abstract shapes, all on a turquoise background. Text above and below reads "steaming satellites, the moustache Mozart affaire".

Cover art: An ink line drawing of a pyramid wrapped about by a red scarf, with a large eye rising above the tip and surrounded by various mathematical symbols and abstract shapes, all on a turquoise background. Text above and below reads "steaming satellites, the moustache Mozart affaire".

The Mustache Mozart Affaire

Steaming Satellites

Cover art: A grungy scrapbook montage of tree silhouettes, barbed wire, birds, and abstract shapes on a stained paper background. Text reads "wax tailor, hope and sorrow".

Cover art: A grungy scrapbook montage of tree silhouettes, barbed wire, birds, and abstract shapes on a stained paper background. Text reads "wax tailor, hope and sorrow".

Hope & Sorrow

Wax Tailor

Cover art: In a room filled with golden balloons, four young, laughing, naked, Asian women pose with various comedic props, including a hula hoop, inflatable joke microphone, elephant balloon, party hats, and the C2C grumpy robot figurine. In a blue circle in the center of the image text reads: "C2C, tetra".

Cover art: In a room filled with golden balloons, four young, laughing, naked, Asian women pose with various comedic props, including a hula hoop, inflatable joke microphone, elephant balloon, party hats, and the C2C grumpy robot figurine. In a blue circle in the center of the image text reads: "C2C, tetra".

Tetra

C2C

Cover art: Miles Morales' spider mask on a black background. The mask is a black, full-head mask with large white eyes rimmed in red. In the eyes, a subtle reflection shows a cityscape from above.

Cover art: Miles Morales' spider mask on a black background. The mask is a black, full-head mask with large white eyes rimmed in red. In the eyes, a subtle reflection shows a cityscape from above.

Into the Spider-Verse

Soundtrack

Cover art: The letters A and N carved out of a rocky island, with a starry sky above. A waterfall tumbles out of the crook of the N into the raging ocean below, whilst birds fly around the scattered trees clinging to the cliff faces. Text reads "Awolnation" in the sky.

Cover art: The letters A and N carved out of a rocky island, with a starry sky above. A waterfall tumbles out of the crook of the N into the raging ocean below, whilst birds fly around the scattered trees clinging to the cliff faces. Text reads "Awolnation" in the sky.

Megalithic Symphony

Awolnation

Cover art: A grainy photo of the trunks of trees in an autumnal American woodland, with a large lens flare creating a rainbow across the centre and a washed-out vibe. Above and below are large black bars, similar to those seen on old film or movies.

Cover art: A grainy photo of the trunks of trees in an autumnal American woodland, with a large lens flare creating a rainbow across the centre and a washed-out vibe. Above and below are large black bars, similar to those seen on old film or movies.

Camp

Childish Gambino

Cover art: A grainy, painted image of a vintage sci-fi robot sitting next to a gramophone and holding a record. Text beneath reads "caravan palace".

Cover art: A grainy, painted image of a vintage sci-fi robot sitting next to a gramophone and holding a record. Text beneath reads "caravan palace".

Caravan Palace

Caravan Palace

Cover art: null

Cover art: null

No More Idols

Chase And Status

Cover art: null

Cover art: null

Kings & Queens

Jamie T

Cover art: An old oak tree with a Y-shaped trunk leans over at 45 degrees at the entrance to a wooded thicket of oak and holly. The floor is littered with autumnal leaves and fallen branches. Text positioned below the leaning tree reads: "The Matthew Herbert United Kingdom and Gibraltar European Union membership referendum big band, the state between us".

Cover art: An old oak tree with a Y-shaped trunk leans over at 45 degrees at the entrance to a wooded thicket of oak and holly. The floor is littered with autumnal leaves and fallen branches. Text positioned below the leaning tree reads: "The Matthew Herbert United Kingdom and Gibraltar European Union membership referendum big band, the state between us".

The State Between Us

The Matthew Herbert Big Band

Cover art: A sheer, gigantic, rocky cliff face looms out of the mist, with pine trees near the base. Text reads "Emancipator, safe in the steep cliffs".

Cover art: A sheer, gigantic, rocky cliff face looms out of the mist, with pine trees near the base. Text reads "Emancipator, safe in the steep cliffs".

Safe in the Steep Cliffs

Emancipator

Cover art: A young black couple embrace, sat on the edge of a bed. The man has his eyes closed and a cigarette held out in one hand; the woman wraps both arms around his neck and turns her head to look straight at the camera. Behind them, a Michael Jackson poster on the wall is pixellated, and a sheet curtain is caught in a breeze.

Cover art: A young black couple embrace, sat on the edge of a bed. The man has his eyes closed and a cigarette held out in one hand; the woman wraps both arms around his neck and turns her head to look straight at the camera. Behind them, a Michael Jackson poster on the wall is pixellated, and a sheet curtain is caught in a breeze.

Freetown Sound

Blood Orange

Cover art: A mural of a woman being cradled by an angel, whilst a man lies dead at her feet, painted on a white brick wall in a classical style. Text over the centre reads "Lazy habits".

Cover art: A mural of a woman being cradled by an angel, whilst a man lies dead at her feet, painted on a white brick wall in a classical style. Text over the centre reads "Lazy habits".

Lazy Habits

Lazy Habits

Cover art: null

Cover art: null

Hot Fuss

The Killers

Cover art: A bright orange neon sign in the shape of a fancy goldfish glows against a brick wall. Text above and below reads: "Goldfish, late-night people".

Cover art: A bright orange neon sign in the shape of a fancy goldfish glows against a brick wall. Text above and below reads: "Goldfish, late-night people".

Late Night People

Goldfish

Cover art: At night in a desert of black sand and tussocks of grass, a child stands staring at the stars through binoculars. In the grass near their feet, a snake lies coiled. Superimposed over the image is a white geometric shape: two circles overlapped, with a triangle and kite drawn between the intersection points.

Cover art: At night in a desert of black sand and tussocks of grass, a child stands staring at the stars through binoculars. In the grass near their feet, a snake lies coiled. Superimposed over the image is a white geometric shape: two circles overlapped, with a triangle and kite drawn between the intersection points.

Drink The Sea

The Glitch Mob

Cover art: A misty mountainside, with a red wash over the top. In the centre a small hand-drawn ghost outline hovers above the text "sir sly, you haunt me".

Cover art: A misty mountainside, with a red wash over the top. In the centre a small hand-drawn ghost outline hovers above the text "sir sly, you haunt me".

You Haunt Me

Sir Sly

Cover art: A cracked, rough, blue wall with a neon sign showing a simplistic robot face made up of special characters like <, >, _, and |. Text above reads "Caravan Palace".

Cover art: A cracked, rough, blue wall with a neon sign showing a simplistic robot face made up of special characters like <, >, _, and |. Text above reads "Caravan Palace".

<I°_°I>

Caravan Palace

Cover art: Watsky's face in blue monotones with wild hair and plant tattoos, in front of a red circle with more plant motifs. The frame is edged with the text "Watsky" and "x Infinity" in red, with floral corner patterns.

Cover art: Watsky's face in blue monotones with wild hair and plant tattoos, in front of a red circle with more plant motifs. The frame is edged with the text "Watsky" and "x Infinity" in red, with floral corner patterns.

x Infinity

Watsky

Cover art: Two elderly men, both with shirts tucked into smart trousers and black shoes, stand in front of a white studio wall, with arms behind their back and subtle smiles as if holding back laughter. Text to one side reads "vessel".

Cover art: Two elderly men, both with shirts tucked into smart trousers and black shoes, stand in front of a white studio wall, with arms behind their back and subtle smiles as if holding back laughter. Text to one side reads "vessel".

Vessel

twenty one pilots

Cover art: An old man in a long coat and flat cap walks down a dark, rain-damp alley with various shuttered doorways, facing away from the camera. Text above and below in Germanic block letters reads "Flogging Molly, drunken lullabies".

Cover art: An old man in a long coat and flat cap walks down a dark, rain-damp alley with various shuttered doorways, facing away from the camera. Text above and below in Germanic block letters reads "Flogging Molly, drunken lullabies".

Drunken Lullabies

Flogging Molly

Cover art: A ginger-haired woman in loose beadwork clothes stands in front of a green, patterned backdrop. Her eyes are closed and hands raised in a pose reminiscent of sleep. A leather set of lungs cover her chest, suspended by ribbon from around her neck. Text reads: "Florence + the machine, lungs".

Cover art: A ginger-haired woman in loose beadwork clothes stands in front of a green, patterned backdrop. Her eyes are closed and hands raised in a pose reminiscent of sleep. A leather set of lungs cover her chest, suspended by ribbon from around her neck. Text reads: "Florence + the machine, lungs".

Lungs

Florence + the Machine

Cover art: The two band members sit on a vintage chest, looking away from each other. Meg is wearing a black dress, crying into a white handkerchief. Jack is in a red and white tracksuit with a tasselled collar, holding a cricket bat, and looking up at a ceiling light. Both are illuminated in a red spotlight against a black background. There are peanuts scattered on the floor, a rope tied around Meg's ankle, and a skull in the background.

Cover art: The two band members sit on a vintage chest, looking away from each other. Meg is wearing a black dress, crying into a white handkerchief. Jack is in a red and white tracksuit with a tasselled collar, holding a cricket bat, and looking up at a ceiling light. Both are illuminated in a red spotlight against a black background. There are peanuts scattered on the floor, a rope tied around Meg's ankle, and a skull in the background.

Elephant

The White Stripes

Cover art: Six naked people hold a surfboard above their heads on a highly stylised beach. Text above and below reads "Fatboy Slim, Palookaville" in graffiti-like font.

Cover art: Six naked people hold a surfboard above their heads on a highly stylised beach. Text above and below reads "Fatboy Slim, Palookaville" in graffiti-like font.

Palookaville

Fatboy Slim

Cover art: Photo portrait of Cat Power with short hair and neutral expression, transparently overlaid by a rainbow in a blue sky so that the colours arc across her face. Text in gold leaf reads "sun" in the bottom right.

Cover art: Photo portrait of Cat Power with short hair and neutral expression, transparently overlaid by a rainbow in a blue sky so that the colours arc across her face. Text in gold leaf reads "sun" in the bottom right.

Sun

Cat Power

Cover art: Rodriquez sites cross-legged in a floating blue orb against a white background. He wears sunglasses, a brimmed hat, sleeveless top, sandals, and striped blue trousers. Below are four sequences of repeated black and white images showing a drug store sign, a sequence of broken windows in a brick building, a woman in an elegant dress looking over her shoulder, and a set of bins in an alley. Above, orange and blue text reads: "Rodriquez, cold fact".

Cover art: Rodriquez sites cross-legged in a floating blue orb against a white background. He wears sunglasses, a brimmed hat, sleeveless top, sandals, and striped blue trousers. Below are four sequences of repeated black and white images showing a drug store sign, a sequence of broken windows in a brick building, a woman in an elegant dress looking over her shoulder, and a set of bins in an alley. Above, orange and blue text reads: "Rodriquez, cold fact".

Cold Fact

Rodriguez

Cover art: An oil painting of a naked, red-haired woman sitting on the corner of a bed, breastfeeding a young child. The bed is made of two stacked mattresses, partially supported by a stack of books. The woman stares out of an unseen window, which is lighting the scene; behind her, she is reflected in a vertical mirror.

Cover art: An oil painting of a naked, red-haired woman sitting on the corner of a bed, breastfeeding a young child. The bed is made of two stacked mattresses, partially supported by a stack of books. The woman stares out of an unseen window, which is lighting the scene; behind her, she is reflected in a vertical mirror.

Carry On The Grudge

Jamie T

Cover art: Graffiti stencil of a soldier with dragonfly wings, running whilst carrying a flag. Grungy text reads "Linkin Park, hybrid theory".

Cover art: Graffiti stencil of a soldier with dragonfly wings, running whilst carrying a flag. Grungy text reads "Linkin Park, hybrid theory".

Hybrid Theory

Linkin Park

Cover art: Four bald men sit around a wooden table on Mars, wearing fantastical suits: one is covered in eyes, another is all gold, the third is patterned with religious symbols, and the fourth is tiled with mirrors. On the table are three miniature horses and in the sky, Earth can be seen through some clouds.

Cover art: Four bald men sit around a wooden table on Mars, wearing fantastical suits: one is covered in eyes, another is all gold, the third is patterned with religious symbols, and the fourth is tiled with mirrors. On the table are three miniature horses and in the sky, Earth can be seen through some clouds.

Black Holes and Revelations

Muse

Two Shoes

The Cat Empire

Cover art: A photo of a forested lake valley with a large pine tree towering above the canopy on the left and a telecoms mast in the middle background. White text in the bottom left reads "bonobo, black sands".

Cover art: A photo of a forested lake valley with a large pine tree towering above the canopy on the left and a telecoms mast in the middle background. White text in the bottom left reads "bonobo, black sands".

Black Sands

Bonobo

Cover art: A stylistic, symmetrical flower shape formed from light ripples on water. Text in the top left reads "Bonobo, the north borders".

Cover art: A stylistic, symmetrical flower shape formed from light ripples on water. Text in the top left reads "Bonobo, the north borders".

The North Borders

Bonobo

Cover art: Photo of a typical English terrace of brick houses at night. There is no sign of life, except for three windows being lit in one house, through which psychedelic wallpaper can be seen. In the sky, text reads "Arctic Monkeys, favourite worst nightmare" in stylised, 50s distorted font.

Cover art: Photo of a typical English terrace of brick houses at night. There is no sign of life, except for three windows being lit in one house, through which psychedelic wallpaper can be seen. In the sky, text reads "Arctic Monkeys, favourite worst nightmare" in stylised, 50s distorted font.

Favourite Worst Nightmare

Arctic Monkeys

Cover art: A black and white photo of the side of a rusty, metal trailer home sat on gravel. Standing in front, on the right, is a young woman in a bikini and high heels, wearing a pageant sash with "Miss" written across it. On the left, sat down, is a bighorn sheep, staring absently out of frame. Between them, the text "the killers, Sam's town" is painted on the trailer, with "Sam's town" in red.

Cover art: A black and white photo of the side of a rusty, metal trailer home sat on gravel. Standing in front, on the right, is a young woman in a bikini and high heels, wearing a pageant sash with "Miss" written across it. On the left, sat down, is a bighorn sheep, staring absently out of frame. Between them, the text "the killers, Sam's town" is painted on the trailer, with "Sam's town" in red.

Sam's Town

The Killers

Cover art: Satellite photo of dozens of rivers running across an otherwise featureless plain before emptying into an ocean, with thousands of tributaries. The water has a filter showing currents and depth, giving it an iridescent, rainbow colouration.

Cover art: Satellite photo of dozens of rivers running across an otherwise featureless plain before emptying into an ocean, with thousands of tributaries. The water has a filter showing currents and depth, giving it an iridescent, rainbow colouration.

An Awesome Wave

alt-J

Rising With The Sun

The Cat Empire

Cover art: A battered tape in an old cassette player with handwritten text on the label reading "awesome mix volume one".

Cover art: A battered tape in an old cassette player with handwritten text on the label reading "awesome mix volume one".

Awesome Mix Vol. 1

Soundtrack

Cover art: Large, 3D stone letters spelling "life of Brian" float above a cracked mudflat, with Graham Chapman as Brian running away from a large crowd. Off to one side, an alien inspects a crashed rocket ship. Running down either side of the main image is a collage of the Pythons pulling silly faces, all stills from the movie.

Cover art: Large, 3D stone letters spelling "life of Brian" float above a cracked mudflat, with Graham Chapman as Brian running away from a large crowd. Off to one side, an alien inspects a crashed rocket ship. Running down either side of the main image is a collage of the Pythons pulling silly faces, all stills from the movie.

Life of Brian

Monty Python

Cover art: A hand holds a golden ring, whilst in the distance a fantasy landscape unfolds. On the left a man sleeps in a field of white trees; above him, a knight is chased by a lettuce-beetle hybrid covered in spikes. On the right knights joust and play tug'o'war. On the horizon, the city of Minas Tirith sits in the foothills of a mountain range. Towering over the mountains is a gigantic bald elf, with demonic pterodactyls flying out of its open mouth.

Cover art: A hand holds a golden ring, whilst in the distance a fantasy landscape unfolds. On the left a man sleeps in a field of white trees; above him, a knight is chased by a lettuce-beetle hybrid covered in spikes. On the right knights joust and play tug'o'war. On the horizon, the city of Minas Tirith sits in the foothills of a mountain range. Towering over the mountains is a gigantic bald elf, with demonic pterodactyls flying out of its open mouth.

Lord of the Rings

Bo Hansson

Cover art: A womble in superhero mask, cape, and t-shirt with a large W on the chest is leaping between buildings typical of southern London. Text above reads "Superwombling" in cartoon font.

Cover art: A womble in superhero mask, cape, and t-shirt with a large W on the chest is leaping between buildings typical of southern London. Text above reads "Superwombling" in cartoon font.

Superwombling

The Wombles

Cover art: On a rainy night, Bowie stands outside an old brick building in a city, guitar slung over his shoulder, with one foot resting on cardboard boxes stacked by the front door. An illuminated sign above reads "K. West". Text in the sky states the album name.

Cover art: On a rainy night, Bowie stands outside an old brick building in a city, guitar slung over his shoulder, with one foot resting on cardboard boxes stacked by the front door. An illuminated sign above reads "K. West". Text in the sky states the album name.

The Rise and Fall of Ziggy Stardust and the Spider from Mars

David Bowie

Cover art: Hyper-stylised painting of two orange, demonic figures, stood on a road leading to a city, with fields and a sunset in the background. Text reads: "Levellers, levelling the land".

Cover art: Hyper-stylised painting of two orange, demonic figures, stood on a road leading to a city, with fields and a sunset in the background. Text reads: "Levellers, levelling the land".

Levelling the Land

Levellers

Cover art: The text "Fleetwood Mac Rumours" in a floral, elegant script floats above a man and a woman in formal dancewear. He is stood still with one foot on a small stool, holding a crystal ball in one hand. She has her leg wrapped over his, with arms outstretched behind her back under a cape, forming wing-like shapes.

Cover art: The text "Fleetwood Mac Rumours" in a floral, elegant script floats above a man and a woman in formal dancewear. He is stood still with one foot on a small stool, holding a crystal ball in one hand. She has her leg wrapped over his, with arms outstretched behind her back under a cape, forming wing-like shapes.

Rumours

Fleetwood Mac

Cover art: An ink skull with flowers for eyes and floral text reading "lazy habits, even out" on a brown fabric background.

Cover art: An ink skull with flowers for eyes and floral text reading "lazy habits, even out" on a brown fabric background.

Even Out / Please People

Lazy Habits

Cover art: Hand-drawn, angular, Y-shaped wooden posts are scattered upright across a white field against a bright yellow sky. Text at the top in a white box reads: "Muse, origin of symettry".

Cover art: Hand-drawn, angular, Y-shaped wooden posts are scattered upright across a white field against a bright yellow sky. Text at the top in a white box reads: "Muse, origin of symettry".

Origin of Symmetry

Muse

War

U2

Cover art: A large, twisted, hollow metal tube floats above the ocean as waves crash below. Text above reads: "tubular bells, Mike Oldfield".

Cover art: A large, twisted, hollow metal tube floats above the ocean as waves crash below. Text above reads: "tubular bells, Mike Oldfield".

Tubular Bells

Mike Oldfield

Lou Reed Live

Lou Reed

Cover art: Paul Simon sitting in a chair, with a painterly style. Text above reads "Paul Simon, greatest hits etc.".

Cover art: Paul Simon sitting in a chair, with a painterly style. Text above reads "Paul Simon, greatest hits etc.".

Greatest Hits, Etc.

Paul Simon

Cover art: Framed by an aeroplane window, a grinning, middle-aged woman in a yellow waitress uniform holds a plate above her head, with a glass of orange juice balanced on top. A menu tucked under her arm is titled "breakfast in America". Behind her, various white kitchen items such as teapots, cups, forks, and condiment dispensers are arranged in the shape of the mid-20th century New York skyline. One plate has an English breakfast on it. Text above, fading into the sky, reads "Supertramp".

Cover art: Framed by an aeroplane window, a grinning, middle-aged woman in a yellow waitress uniform holds a plate above her head, with a glass of orange juice balanced on top. A menu tucked under her arm is titled "breakfast in America". Behind her, various white kitchen items such as teapots, cups, forks, and condiment dispensers are arranged in the shape of the mid-20th century New York skyline. One plate has an English breakfast on it. Text above, fading into the sky, reads "Supertramp".

Breakfast in America

Supertramp

Cover art: A photo of an old, hunched man in a bowler hat and cloth suit, carrying a stack of branches on his back larger than he is, is hung in an antique frame on a wall with peeling floral wallpaper.

Cover art: A photo of an old, hunched man in a bowler hat and cloth suit, carrying a stack of branches on his back larger than he is, is hung in an antique frame on a wall with peeling floral wallpaper.

Led Zeppelin IV

Led Zeppelin

Cover art: A bolt of lightning illuminates a dark, cloudy sky in shades of blue. Text reads: "love over gold, Dire Straits".

Cover art: A bolt of lightning illuminates a dark, cloudy sky in shades of blue. Text reads: "love over gold, Dire Straits".

Love Over Gold

Dire Straits

Cover art: A white line hits a triangle in the centre of a black background and emerges as a rainbow, like a prism.

Cover art: A white line hits a triangle in the centre of a black background and emerges as a rainbow, like a prism.

The Dark Side of the Moon

Pink Floyd

Cover art: A naked, muscular man with long hair riding a jet-powered motorbike with a horse skull strapped to the handlebars, bursts out of the ground within a desolate cemetery under a blood-red sky. In the background, a giant bat shrieks from the top of a mausoleum tower. Text in Gothic script above reads: "meat loaf, bat out of hell".

Cover art: A naked, muscular man with long hair riding a jet-powered motorbike with a horse skull strapped to the handlebars, bursts out of the ground within a desolate cemetery under a blood-red sky. In the background, a giant bat shrieks from the top of a mausoleum tower. Text in Gothic script above reads: "meat loaf, bat out of hell".

Bat Out Of Hell

Meat Loaf

Cover art: Ink portraits of the four band members surrounded by black and white photos of them. Text reads "revolver".

Cover art: Ink portraits of the four band members surrounded by black and white photos of them. Text reads "revolver".

Revolver

The Beatles

Cover art: Blue rectangular outlines form the impression of a wall of white bricks.

Cover art: Blue rectangular outlines form the impression of a wall of white bricks.

The Wall

Pink Floyd

Cover art: Muddy Waters, in a dapper suit, leans into the microphone with their eyes closed, guitar in hand. Text in cursive, hippy font reads "Muddy Water live".

Cover art: Muddy Waters, in a dapper suit, leans into the microphone with their eyes closed, guitar in hand. Text in cursive, hippy font reads "Muddy Water live".

Live (At Mr. Kelly's)

Muddy Waters

Cover art: The band are riding a vividly coloured carnival teacup ride, split across two of the spinning cups. They are variously grinning, punching the air, or yelling out loud. Text above in calligraphic fonts reads "The Waterboys, room to roam".

Cover art: The band are riding a vividly coloured carnival teacup ride, split across two of the spinning cups. They are variously grinning, punching the air, or yelling out loud. Text above in calligraphic fonts reads "The Waterboys, room to roam".

Room to Roam

The Waterboys

Cover art: The six band members stand, with arms folded, on a desert road in front of a setting sun. They're arranged in two groups of three, so that the sun is setting between them. Above and to the left is a large hand, seemingly of the photographer, over which text reads: "average white band, shine".

Cover art: The six band members stand, with arms folded, on a desert road in front of a setting sun. They're arranged in two groups of three, so that the sun is setting between them. Above and to the left is a large hand, seemingly of the photographer, over which text reads: "average white band, shine".

Shine

Average White Band

Cover art: A Victorian-era painting of a crowd of children watching a puppet show outside a park, with a man performing drums and harmonica to one side. The whole scene is painted in shades of blue. Text reads: "Long-distance voyager, the Moody Blues".

Cover art: A Victorian-era painting of a crowd of children watching a puppet show outside a park, with a man performing drums and harmonica to one side. The whole scene is painted in shades of blue. Text reads: "Long-distance voyager, the Moody Blues".

Long Distance Voyager

The Moody Blues

Cover art: The text "dr. hook" appears in bright red against a black background, with letters crafted out of metal eye hooks. The two "o" letters are intertwined and have other hooks connected to them in a vertical chain. Text also reads "a little bit more".

Cover art: The text "dr. hook" appears in bright red against a black background, with letters crafted out of metal eye hooks. The two "o" letters are intertwined and have other hooks connected to them in a vertical chain. Text also reads "a little bit more".

A Little Bit More

Dr. Hook

Cover art: A photo of industrial pipework at a large factory, with a red colour wash and the text "Darkstar, north" in white over the top.

Cover art: A photo of industrial pipework at a large factory, with a red colour wash and the text "Darkstar, north" in white over the top.

North

Darkstar

Cover art: Photo of a lightly wooded mountainscape, with blue and red channel ghosting applied to create a 3-D effect if using coloured-lens glasses. Text above reads "late of the pier, blueberry" in similar blue and red colours.

Cover art: Photo of a lightly wooded mountainscape, with blue and red channel ghosting applied to create a 3-D effect if using coloured-lens glasses. Text above reads "late of the pier, blueberry" in similar blue and red colours.

Blueberry

Late of the Pier